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@aquel_maldito_cine_ochentado
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* KLAATU BARADA... AHEM HUMMM ICTO*
The Army of Darkness (Army of Darkness) 1992 Sam Raimi 🇺🇸
🔎 What's it about? Ash the Possessed Killer travels to the Middle Ages to unlock the secrets of the Necronomicon.
📽 Who made it? We all know that Raimi made it, but let's review the saga and its adjacent ones: Within the Woods (78), a medium-length film that outlines, with dark poetic ingenuity, the story of the cursed cabin; Infernal Possession (81), dumb and direct as vomit, the best foray into the possession genre since the Exorcist; Terrifyingly Dead (87), a gimmicky and crazy cartoon reversal that constitutes the creation of the universe of... Ash vs Evil Dead (015-018), an unapologetic finding within the current seriophile garbage, as essential as it is little seen; Possession infernal (013), directed by a value like Fede Álvarez, is a manual of how all reebots should be: with something to tell but with no intention of improving the original; and Hail to the deadites (020), a wonderful and addictive documentary by Steve Villeneuve that is a true tribute to the groupies of the franchise.
💎 What shines? Bruce Campbell and his broom of fire, Bruce Campbell and his battalion of skulls, Bruce Campbell divided into mini-Ashes, the imagination with which it is shot, its excellent turn towards comedy and comic adventure, Kurtzman's hilarious visual effects , Nicotero and Berger (advised by Tom Sullivan), Danny Elfman's March of the Dead, and the production of the always successful (and little recognized) Robert Tapert.
👑 Why do we like it? Because it is A Yankee in the court of King Arthur but with zombies and demons, for its torrent of homages to classic horror and science fiction movies, for taking advantage of every second of its glorious 89 minutes, for its disrespectful B-series air cooked on the sidelines from the big studios, for the legendary ending (seen in Sitges) with Ash in a post-apocalyptic future, and for its highly imitated mix of genres so 80s.
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