Reviews by:
@augustkellerwrites
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Instead of a linear narrative, Blonde is a stream of dreamlike feelings and ideas, a figurative exploration of identity, objectification, abuse, and success. However, because themes are so emphasized, the plot is repetitive, the tone is monotonous, and characters are symbols. Taken literally, this reductive use of Monroe's legacy (and traumas) is hypocritical and problematic, yet Blonde is clearly metaphorical. Meanwhile, the acting is truly vulnerable, unstable, and nuanced. Armas differentiates a constant state of distress with believable layers, mannerisms, and evolution. The unconventional structure is difficult, but Blonde is harshly tragic, meaningful, and experimental.
Technically, Blonde is transcendent. Its visuals consistently employ aspect ratios, saturation, focus, lighting, composition, movement, and distortion. Audibly, there are surreal echoes, stings, voiceovers, ambiance, and silence. The abstract editing applies intellectual montages, potent inserts, match cuts, repetition, hidden cuts, and creative transitions. Its pacing is redundant yet emotional. The motif music is intense, juxtaposing, atmospheric, and fitting. Plus, there are ideal costumes, a recognizable cast, and supportive effects. Overall, the direction is detailed, relevant, and unique. Thus, while Blonde belabors its messages, its intentions are fair and its craft is undeniable.
Writing: 7/10
Direction: 10/10
Cinematography: 10/10
Acting: 10/10
Editing: 9/10
Sound: 10/10
Score/Soundtrack: 8/10
Production Design: 8/10
Casting: 8/10
Effects: 7/10
Overall Score: 8.7/10
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