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@augustkellerwrites
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The Black Phone is respectable. Its writing broaches substantial topics like abuse, yet doesn't follow through with themes. Its dialogue is obvious and its characters are unoriginal, but the premise blends realistic suspense with supernatural excitement. Also, because The Black Phone carefully sets up emotional bonds, everything feels motivated and less cheesy. The confined situation creates repetitiveness, but the properly established drama makes that forgivable. Plus, the main actors fulfill their roles. Hawke is natural, McGraw is endearing, and Thames carries the film with veteran-like skill. Overall, The Black Phone's depth is questionable but its relatability is true.
Technically, The Black Phone is capable. The cast is mostly unknown, yet solid in key spots. The music is fairly generic but creates fitting moods. The production design captures the era, provides intense grime, and meaningfully utilizes the villain's mask. Plus, the gore is impactful, the tone is grounded, and the cinematography is varied. Finally, the sound and editing are elevated. Fades, dissolves, jump cuts, montages, echoes, silence, ringing, distortion, and stings all make the film tastefully surreal, heightening tension and diversifying the setting. Ultimately, The Black Phone has enough technical and emotional density to be an engaging thrill ride.
Writing: 5/10
Direction: 7/10
Cinematography: 7/10
Acting: 7/10
Editing: 8/10
Sound: 8/10
Score/Soundtrack: 6/10
Production Design: 7/10
Casting: 6/10
Effects: 7/10
Overall Score: 6.8/10
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